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		<TitleText textcase="01">Representing the Commons in Early Modern England</TitleText>
		
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		<PersonName>Jeremy Elprin</PersonName> 
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		<BiographicalNote language="fre" textformat="02">&lt;p&gt;Jeremy Elprin est maître de conférences en littérature anglaise à l'université de Caen Normandie. Il est diplômé de l'Université d'Oxford et de l'Université de Paris Cité, où il a effectué sa recherche doctorale sur les lettres de John Keats. Ses recherches portent sur la littérature britannique des XVIIIᵉ et XIXᵉ siècles, avec un intérêt particulier pour la poésie romantique britannique, la culture épistolaire et la poétique, ainsi que les études sur les manuscrits. Ses publications récentes comprennent des articles sur John Keats, William Wordsworth, Samuel Taylor Coleridge et Charlotte Lennox.&lt;/p&gt;</BiographicalNote>
		
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		<PersonName>Mickaël Popelard</PersonName> 
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		<BiographicalNote language="fre" textformat="02">&lt;p&gt;Mickaël Popelard est professeur de littérature anglaise moderne à l'université de Caen Normandie. Il a notamment publié &lt;em&gt;Francis Bacon. L'humaniste, le magicien, l'ingénieur&lt;/em&gt; (PUF, 2010) ; &lt;em&gt;Rêves de puissance et ruine de l'âme. La figure du savant chez Shakespeare et Marlowe&lt;/em&gt; (Paris : PUF, 2010) ; ainsi qu'une traduction française de &lt;em&gt;La nouvelle Atlantide&lt;/em&gt; de Bacon (Classiques Garnier, 2022). Il est co-éditeur, avec Sophie Chiari, de &lt;em&gt;Spectacular Science, Technology and Superstition in the Age of Shakespeare&lt;/em&gt; (Edinburgh University Press, 2017, 2019) et l'auteur, avec Laurent Curelly, d'une traduction conjointe de certains des &lt;em&gt;Pamphlets politiques&lt;/em&gt; de Gerrard Winstanley (Zones Sensibles, 2023). Ses recherches portent sur le théâtre et la philosophie des débuts de la modernité, sur lesquels il a publié de nombreux articles.&lt;/p&gt;</BiographicalNote>
		
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		<Text language="fre" textformat="02">&lt;p&gt;Ours is an age of extremely fragmented experiences and identities – a fragmentation paralleled by a growing awareness that we all inhabit a common world. In reality, these two phenomena have a lot more in common than one might suspect: deeply engrained individualism and the destruction of ecosystems are two sides of the same capitalist coin. Thus, the question of "the commons" becomes more relevant than ever.&lt;br /&gt;
This book aims to fill a gap in the recent theoretical discussion of the commons by rethinking the notion from the perspective of early modern English literature and culture. It argues that the commons needs to be shown and represented, not just theorised or discussed in abstract terms. By focusing on some of the foundational, textually &lt;em&gt;embodied&lt;/em&gt; forms through which this notion was represented and disseminated, the essays brought together here aim not only to interrogate the ways in which the commons was framed and appropriated in early modern English texts, but also to highlight the enduring relevance of these forms to critical discussions of the commons today.&lt;/p&gt;</Text>
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		<Text language="fre" textformat="02">&lt;p&gt;Ours is an age of extremely fragmented experiences and identities – a fragmentation paralleled by a growing awareness that we all inhabit a common world. In reality, these two phenomena have a lot more in common than one might suspect: deeply engrained individualism and the destruction of ecosystems are two sides of the same capitalist coin. Thus, the question of "the commons" becomes more relevant than ever.&lt;br /&gt;
This book aims to fill a gap in the recent theoretical discussion of the commons by rethinking the notion from the perspective of early modern English literature and culture. It argues that the commons needs to be shown and represented, not just theorised or discussed in abstract terms. By focusing on some of the foundational, textually &lt;em&gt;embodied&lt;/em&gt; forms through which this notion was represented and disseminated, the essays brought together here aim not only to interrogate the ways in which the commons was framed and appropriated in early modern English texts, but also to highlight the enduring relevance of these forms to critical discussions of the commons today.&lt;/p&gt;</Text>
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		<Text textformat="02">&lt;p&gt;Jeremy Elprin and Mickaël Popelard :&lt;strong&gt; Introduction&lt;/strong&gt;&lt;br /&gt;
&lt;em&gt;Empowering the Common&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Chapter 1&lt;/strong&gt;&lt;br /&gt;
Laurent Curelly:&lt;em&gt;What Does "Common" Mean? British Civil War Radical Sects and the Commons. The Case of the Levellers, the Diggers and the Ranters&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Chapter 2&lt;/strong&gt;&lt;br /&gt;
Z'hor Zizi :&lt;em&gt;Gerrard Winstanley and the Cromwellian Reconquest of Ireland: The Earth a "Common Treasury" for All?&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Chapter 3&lt;/strong&gt;&lt;br /&gt;
Jonathan Pollock :Richard Carew on Cornish Commons: Farming, Fishing and Mining "in Wastrell" (1602)&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Chapter 4&lt;/strong&gt;&lt;br /&gt;
Janet Clare :&lt;em&gt;"The commons, knit and united to one part": Representing, Fearing and Controlling the Commons&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Chapter 5&lt;/strong&gt;&lt;br /&gt;
Rémi Vuillemin : &lt;em&gt;“Cloistering from the common”? Shakespeare's Sonnet130 and the Power of the Commonplace&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Chapter 6&lt;/strong&gt;&lt;br /&gt;
Jean-Jacques Chardin : &lt;em&gt;The Commons in Early Modern Emblem Literature&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Stephen Collis : &lt;em&gt;Coda : Commons in Motion: Walking and Refuge, from Wordsworth to the Anthropocene&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;</Text>
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		<Text>&lt;p&gt;Réunissant des contributions de plusieurs spécialistes de littérature et d'histoire anglaises, mais aussi le texte d’un poète canadien, ce livre se propose de repenser la question des «communs» depuis une perspective littéraire et historique. D’une part, cette question n’a peut-être jamais été aussi actuelle qu’en cette période où les individus et les sociétés se révèlent infiniment fragmentés. De l’autre, la thèse défendue ici est que, pour retrouver toute sa force, cette belle idée de commun ne doit pas seulement être pensée abstraitement: elle doit aussi se donner à voir dans des expériences sensibles et concrètes. Ce sont certaines de ces expériences qui forment le sujet de ce livre.&lt;/p&gt;</Text>
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