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<Text textformat="02" language="fre">&#60;p&#62;À l'origine du travail de l&#8217;écrivain, il y a la question du passé et le désir de le comprendre, de l&#8217;immobiliser, de le faire revivre. Passé collectif ou individuel, passé fondateur ou insignifiant, souvenir qu&#8217;on idéalise ou qu&#8217;on veut fuir, histoire et mémoire nourrissent l&#8217;écriture depuis le Moyen Âge. Quinze contributions sur la littérature française au fil des siècles se croisent dans cet ouvrage et montrent particulièrement le renouvellement des interrogations consécutif à la Révolution française.&#60;/p&#62;</Text>
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<Text textformat="02">&#60;p&#62;Gérard Gengembre : Présentation  &#60;/p&#62;
&#60;p&#62; &#60;strong&#62;Écritures médiévales et classiques&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Huguette Legros : &#60;em&#62;De la memoire à l'estoire : ré!exions sur l&#8217;écriture de l&#8217;histoire par les historiographes d&#8217;Henri II Plantagenê&#60;/em&#62;t&#60;/p&#62;
&#60;p&#62;Richard Trachsler : &#60;em&#62;De l&#8217;histoire au texte, du texte à l&#8217;histoire. Observations sur les &#60;/em&#62;razo&#60;em&#62;s occitanes&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Francine Wild : Histoire et fiction : la construction d&#8217;une mémoire nationale dans Clovis ou la France chrétienne de Desmarets de Saint-Sorlin (1657)   &#60;/p&#62;
&#60;p&#62;&#60;strong&#62;Littérature postrévolutionnaire et romantique &#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Franziska Meier : &#60;em&#62;Les notions d&#8217;«histoire » et de «mémoire » dans &#60;/em&#62;l&#60;em&#62;&#8217;&#60;/em&#62;Essai sur les révolutions&#60;em&#62; de Chateaubriand&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Udo Schöning : À propos de la concurrence entre histoire et littérature dans la discussion esthétique du XIX&#60;sup&#62;e&#60;/sup&#62;  &#60;/p&#62;
&#60;p&#62;Sabrina Bastemeyer : « Il faut que je sois un Brutus » : histoire et mémoire dans Lorenzaccio d&#8217;Alfred de Musset  &#60;/p&#62;
&#60;p&#62;Gérard Gengembre : &#60;em&#62;Paris qui disparaît : la mémoire de la ville dans le roman balzacien&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Brigitte Diaz : &#60;em&#62;Poétique de la mémoire dans les Memoranda de Barbey d&#8217;Aurevilly&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;&#60;strong&#62;La modernité aux prises avec l&#8217;histoire&#60;/strong&#62;&#60;/p&#62;
&#60;p&#62;Susanne Friede : La conception littéraire de l&#8217;intellectuel à la fin du XIX&#60;sup&#62;e&#60;/sup&#62; siècle&#60;/p&#62;
&#60;p&#62;Doris Pany &#60;em&#62;: L&#8217;antipasséisme de F. T. Marinetti. Rejet de l&#8217;histoire et glorification de la vite&#60;/em&#62;sse  &#60;/p&#62;
&#60;p&#62;Annette Paatz :&#60;em&#62; Paris et les débuts de l&#8217;histoire littéraire hispano-américaine&#60;/em&#62;  &#60;/p&#62;
&#60;p&#62;Jean-Claude Larrat : &#60;em&#62;Gide, Malraux et le &#60;/em&#62;Tableau de la littérature française (1939). &#60;em&#62;L&#8217;histoire littéraire à l&#8217;épreuve de « l&#8217;histoire naturelle »&#60;/em&#62;  &#60;/p&#62;
&#60;p&#62;Marie Hartmann : &#60;em&#62;Le non-sens du temps dans &#60;/em&#62;L&#8217;Acacia&#60;em&#62; de Claude Simon&#60;/em&#62;  &#60;/p&#62;
&#60;p&#62;Claire Lechevalier : &#60;em&#62;Actualité, mémoire et histoire dans &#60;/em&#62;Iphigénie Hôtel&#60;em&#62; (Michel Vinaver) et &#60;/em&#62;Le Retour au désert&#60;em&#62; (Bernard-Marie Koltès)&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Marie-Paule Berranger : &#60;em&#62;Le peintre, mémoire des poètes disparus  &#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Résumés  &#60;/p&#62;
&#60;p&#62;Notes sur les auteurs  &#60;/p&#62;
&#60;p&#62;Index nominum&#60;/p&#62;</Text>
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